They outfit the songs with twirling strings, punching horns, and lively pianos, the last of which is provided by Robert Glasper on the woozy, Kendrick Lamar-assisted "God Is Fair, Sexy, Nasty." In the dazed but laser-focused ballad "Skin," there's a recurring impassioned saxophone line, and at one point it punctuates Miller's purr of "I open up your legs and go straight for your heart." The album's first half is highlighted by another Anderson Paak collaboration, "Dang!," a sharp hybrid of horn-flecked funk and spangly house. Miller's producers are in accordance with all the lovestruck sentiments. Miller even sings a higher percentage of his words in his limited and sincere drawl, rhapsodizing "You just don't know how beautiful you are" on "My Favorite Part," a clean duet with new flame Grande that sounds like it could be an Anthony Hamilton cover. Crass as it frequently is, the bulk of the album nonetheless has more to do with loving relationships than most releases from the manchild R&B classes of 2011-2016. In between the two tracks, to the point of compulsion, Miller frequently notes his aptitude in the bedroom and his insatiable appetite therein, or wherever else the mood strikes. release, and in its conclusion, Miller's grandmother details with fondness the history of her relationship with her husband.
Ariana Grande introduces Mac Miller's first Warner Bros.
As a way to illustrate the sincerity implied in its title, The Divine Feminine begins and ends with the voices of women.
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